double warp beam completed

I worked almost all day yesterday completing the double warp beam.

Working on the sides, the end piece details take more time to make than the original square cut but they look prettier.

A little assembly test to make sure everything works.

How do you put this up on the loom by yourself? Awarping frame is always handy :-)

Everything seems ok.

I took everyting down and gave it a good sanding. Here I am waiting for the oil finish to dry.

In the meantime, I made a pair of locking pins for the upper warp beam.








1:30 am. Tired but happy. The double warp beam is up on the loom!

What happened since last January?

Sorry for not having updated my blog lately... just too busy I guess :-)

What happened since last January?

A new duvet cover set for one of our guest room, I made the duvet cover with the flat sheet and some corduroy fabric recycled from another bed cover. That makes a nice winter set.

Nothing to do with weaving but I was finally able to get braces. Some things in life take more time than others... priorities and budget limitation.

I also started making a second warp beam to go with the ratchet wheel I bought this winter from Dawn McCarthy for my Standard 110.

 

I also took a 6 weeks (one half day per week) tapestry course from the Centre des Textiles Contemporains de Montréal (http://www.textiles-mtl.com/en/) which I highly appreciated and recommend!

This week, I finally was able to continue working on the double warp beam project. Here we see one of the sides that will hold both pairs of back and warp beams.

And here what will become the second back beam along with the existing one.

Keeping busy, I told you!

Cheap quills and weaving

I can't say enough good about paper quills, first they're silent, second they cost almost nothing. Out of two paper grocery bags (now at 5 cents each) I obtained over 70 quills! First I cut off the bottom of the bag, then I fold it flat and cut along both edges. I then accordion fold each side according to the size of the quill I need and I cut through the layers following a circular shape (here using a Heineken coaster).

Weaving wise, I reached today the 30" mark on the second Smålandsväv runner. They need to be about 60" long each for my dining room table (The picture shows 24" but I kept weaving after taking them).

Today, I'm weaving on the second Smålandsväv runner and run out of handspun woolen weft.

So I got the roll of wool roving I got from Upper Canada Village two summers ago out and spun a full wheel bobbin. I weave it single so no need to ply. We all know about cat's interest for wool do we?

A new project, huck lace linen towels taken from May/June 2003 Handwoven magazine.

But I find them too thin so they'll be woven as table runners.

Finishing up mom's Christmas gift

I have to finish up twisting these fringes for Christmas...

Overshot & fur cushions

I brought back home my overshot class sample woven at our weaving guild. It will be a good match for this old fur coat I kept aside to make cushions.

I started by taking apart the coat.

And was surprised to find out that fur coats are in fact made out of multiple small pieces.

I am very pleased with the results :-)

Finished weaving the 2nd throw

I am finished weaving the 2nd throw. It will be mom's Christmas gift.

There is still a good amount of warp left but I chose to take it off and use it in a future tapestry project.

First Smålandsväv runner ready

My first Smålandsväv runner is ready for our Guild exposition this coming weekend.

Last project on the Ideal 90

My Ideal 90 loom is returning to it's previous owner in Quebec City after a good 8 years with me. It is time to let my very first Glimåkra loom go.

My last project on this loom is a set of linen floorcloth taken from Väv Magasinet 2/10 woven on 6 shafts.

The loom is ready for it's next move. I replaced the linen cords with Texsolv.

2nd throw

The is enough warp left on the loom for a second throw. I replaced the narrow stripes with different ones attached to a shaft stick for easier warp advancement.

The shaft stick is attached to the frame with 2 strings. After advancing the warp, adjusting these 2 strings until an even tension is obtained is all it needs instead of adjusting every single stripe separately.

It looks quite different than the previous (70's) one.

Beautiful 70's

I finished weaving my first throw this morning. I am here twisting the fringes and must admit I like it a lot despite it's outdated colour scheme.

So the previously called ugly 70's colours turned into beautiful 70's and could not match any better in our living room. Am I plagued with bad taste? Please don't answer.

Ugly 70's or Autumn palette?

Some old second hand wool added up to my stash a good while ago and I need it to go. Call it ugly 70's or autumn palette if you wish but throwing it away is not an option. Maybe I secretely like this colour scheme I grew up in? Probably more an out-of-comfort-zone project.




Most of this two ply coarse wool it is dark brown and light pink, warped at 8 epi.




Creativity sometimes require adjustments... the two middle narrow stripes don't match and need to be replaced.




So does technique. A weighted warp offers decreasing resistance to an increasing pull while a fixed one offers an increasing (equal) resistance (well until it breaks). Combining both tension methods on the same project gives unequal tension. I had to think of something else and replace the weights with texsolv cord which allows fine tension adjustement on the modified sections and a constant behaviour when beating.




Why 8 shafts? to weave the first throw in broken twill and the second one in tabby. This project could be published in a magazine no? Well maybe, if this was 1972!




As usual, I had to build something: a temple wide enough for this loom.